360º, REAL ESTATE, VIRTUAL TOUR
VIRTUAL TOUR HONORS MOTHER
360º real estate tours are
not a new idea. But when called by a home owner to document his
late mother's home before selling it, I soon learned that this
was not at all about sales, but about remembrance. In as much as
most people are reflected in their home, this was clearly a very
personal request (consequently, the name of the client is
withheld).
I use a high-resolution DSLR and stitch panoramas from eight
captures to exacting standards. It turned out that the high
quality of this method was complementary to the client's desire
for an accurate, detailed, and final reproduction of the home.
There were 21 important locations to be imaged and the client
did not live nearby, so the plan was to do all photography in a
day, with a second day available for any re-shoots.
Floating Camera
There are varying approaches to creating a 360º image. Some of
the popular methods in real estate result in a 360º view that
includes looking downwards enough that some of the tripod is
initially captured. The tripod is then blurred out, or covered
with a 'cap'. There are two side effects to these expediencies.
First off, many floors are aesthetically compelling and well
worth capturing fully. Secondly, seeing a blur or cap (or worse,
a truncated tripod) can take away from the full effect of visual
immersion.
When I shoot 360º, I usually take a down shot from the side, and
this is processed in the software to create a clean,
straight down view of the floor, as if no tripod had been used.
In tight spaces, such as a small crowded dining room or
bathroom, down shots from the side are difficult. So far I've
managed, but the process requires some extra time stitching and
retouching those tricky areas.
Vampire Mirror
A perennial bane for 360º photography are mirrors and window
reflections. Sometimes the trick is simply to visually align
with a non-reflecting feature, such as a wall post. It can also
work to get off-center just enough from a head-on view to
prevent an unwanted reflection. However, a hall mirror or highly
mirrored bathroom may leave no room to hide, and the reflection
must be handled more directly.
Think of this as the vampire mirror trick: capture an image of
the mirror, which will show the camera, then rotate the camera
180º to capture the scene that would be in the mirror if the
camera wasn't there. Finally, cut the second 180º rotated image
into the camera included mirror shot in post-processing, thereby
creating the illusion that there was no camera. Done carefully,
the effect is accurate and convincing... At first the client
didn't notice that something must have been done to remove an
otherwise visible camera.
Building the tour
As a memorial for remembrance, it was important to the client to
let the visuals speak for themselves. This meant we would forgo
some of the more typical tour elements, such as menus,
information icons for hotspots or intrusive navigation aids,
such as always visible floor circles for movement. Each doorway
in the house was made into an invisible hotspot. Clicking on a
doorway would move the point of view into the corresponding
room.
It did seem, however, that one aid to navigation would be the
inclusion of a row of thumbnails at the bottom of the screen.
This would allow immediate access to any room in the home.
Experience has shown that it can become inconvenient to 'walk'
through the actual pathways in a home every time a single
particular view is desired.
Another element that was only in my version of the tour, was for
a circle target icon, for click-advance movement on a computer,
to appear on the floor as the cursor is moved close to a
doorway. This conforms more generally with standard practice and
made sense when considering the general audience that would see
the tour on my site rather than on the client's personal
computer.
In Conclusion
The tools for creating an immersive virtual tour are quite
robust and have been used extensively in commercial realms. This
project was unique given its role as a personal memorial.
Available variations would be to embed content, such as video
and photo albums.
The home was staged as it had been lived in (i.e. not staged for
selling purposes), which the client wanted in order to display
the authentic life and personality of his cherished mother.